Wordsmith Holler

Original Pulp Fiction

Tag: Las Vegas

  • March 15, 2017 Scribble

    I spent twenty minutes holding my head to the right as a doctor went in again for my fourth thyroid biopsy. “Boy this is really deep,” he said. “Yep, maybe you’ll be the guy,” I said. It is clear with have a nodule or two. We don’t clearly know if it is cancer. “At least if it is cancer, this is the best one to get,” said my endocrinologist. “It takes so long to grow.” Comforting. While other writers are busy taking people to other places, I’m in an endless loop of out-patient surgery. No, you would not be interested in the waiting, prodding, and sore neck. It doesn’t jump off as one of those stories you want to hear.

    ***

    Hemingway said, “There is nothing to writing. All you do is sit down at a typewriter and bleed.” True. Sometimes you just have to write it out and hope something sticks. Then let it fall to the floor. In Hemingway & Gellhorn  he says,” Never crumple pages. Always let them float gently into the basket. Any writer who rips out his stuff and crumples it will go insane in a year, guaranteed.” I like the idea of floating paper to the trash. I would float this to the trash, but it’s a huge monitor.

    ***

    It turns out nobody reads this blog. (more…)

    Read more: March 15, 2017 Scribble
  • March 7, 2017 Scribble

    March 7, 2017 Scribble

    You can read this if you wish although it consists of thoughts and fragments as I attempt to free write 750 words every day. Some of this may end up in a Story or a Conversation. Anyway, this is how one learn and shapes up The Craft.

    The Big Squeeze is coming to Las Vegas. The Spaghetti Bowl, a large mess of on ramps and off ramps between the US 95 and I-15 will soon be reduced to two lanes. It already becomes two lanes on US-95 under the Bowl, so I’m not sure how this is a squeeze, but through media hyperbole and advertising, I’m to understand this will be terrible.

    This morning, I decided to find an alternative route. On the advice of some friends, I decided to try North Fifth, a new road into North Las Vegas.

    After fifteen minutes waiting for a light to change and let three cars through at a time, I’ve decided I can suffer through the impending peril of the Big Squeeze. Even if I sit for 5 extra minutes, it will surely beat a 55 minute commute to go 20 miles via surface streets. This is ranting I know, but you have to start 750-words somehow.

    We spring back this weekend. Frankly, this just means getting up earlier. Remember to set your clocks ahead. (Don’t think about it too much: Your head will explode).

    Sequoia Strawberries in the flower bed mulch
    Lined up like bare root roses
    Patted safe in the warm soil
    Watered and blessed; a hopeful refrain.

    Spring lasts a few days before summer rays
    Bear down on the garden beds
    Warming the soil to dry dust
    A delicate balance to keep them moist.

    The morning frost reminds spring follows winter
    Breezes as March enters like a lion
    Or sneaks in like a lamb.
    Either way, the garden struggles to bloom.

    A small leaf springs up from the bare root tip
    As roots firmly establish themselves
    And the plant becomes accustomed to its new home.
    It spreads out to take space.

    Small droplets in the morning light
    On large leaves of green vermillion
    Summer sun gobbles up the water
    As ladybugs jump through the delicate flowers.

    “Are you drinking enough water?”

    “I think so.”

    “It’s getting hotter and you need to be refreshed.”

    “I went to the bathroom three times tonight.”

    “You’re diabetic. That’s a sure sign of the disease.”

    “I don’t suppose four tall glasses of water had anything to do with it.”

    In these writing exercises you are supposed to write whatever comes to your head, in any order, without stopping. This came to my head just now.

    S. I. Hayakawa was a U.S Senator from California, and before that he was a semanticist at San Francisco State University. I first read his book Language and Action in high school. The idea Bessie the Cow was an abstraction allowed me to add only those details that made her a cow, rather than endlessly describe all of her features. Abstraction allows writers to write a picture that others fill in. Hayakawa warned to stay at the top of the abstraction tree, otherwise you could lead others into an existential hell.

    Trees have a colored leaf. And the leaf is made of smaller parts from veins to individual cells. Staying at the top allows the reader to fill in the abstractions, without the writer having to describe the color of the veins or explain the arrangement of the cells. However, sometimes a writer wants to describe these things. Knowing when to stop is the art of writing. A writer must be careful not to chase themselves around in circles!

    Hayakawa also addresses the power of words to hypnotize and manipulate. If a person can be convinced a brown cow is really white through powerful descriptions, then a writer can powerfully draw a crowd in with the force of prose. He cautions readers to avoid taking whatever a person says at face value; question them and their motivations. Abstractive communication allows writers to rely on simile, metaphor, irony and pathos to communicate an idea. Abstraction has power as long as everyone agrees on the definition of the abstraction.

    Too deep? Enough philosophy on the mechanisms of writing.

    “I just don’t feel motivated or respected.”

    “You hate your job?”

    “Just the people. Nobody sees my contribution.”

    “So you’re looking for a reward?”

    “I would like to be respected and given a little credit.”

    “For showing up?”

    “For making this place work despite the lack of respect.”

    “You received a paycheck this week?”

    “Yes.”

    “I think you they must like you.”

    I’m running out of words for this session’s writing activity and likely this will end long before I ever get to the bottom of a deep well. There. We now have 750-words!

    Read more: March 7, 2017 Scribble
  • March 2, 2017 Scribble

    You can read this if you wish although it consists of thoughts and fragments as I attempt to free write 750 words every day. Some of this may end up in a Story or a Conversation. Anyway, this is how one learn and shapes up The Craft.

    According to my new writing goal, I am supposed to just write down whatever comes to my head and finish up in 750 words. The whole thing sounds a bit of a waste of time, frankly. I don’t have the luxury of writing nothing; there is so much more to write and get done.

    Yet, here I am just writing. And counting time.

    (more…)

    Read more: March 2, 2017 Scribble
  • Second Writing: Proofreading and Editing Skills

    By all means write as fast as you can and put the words on paper. In the movie Finding Forrester, the fictional reclusive author William Forrester tells Jamal Wallace, “No thinking — that comes later. You must write your first draft with your heart. You rewrite with your head. The first key to writing is … to write, not to think!”

    No thinking — that comes later. You must write your first draft with your heart. You rewrite with your head. The first key to writing is … to write, not to think!

    The second writing comes through the proofreading, editing, and re-writing.

    Too many writers get bogged down in re-writing each sentence as they write it. A missed opportunity to allow expression and creativity to flow on the page. Capture the spark of genius first and allow it to build. Stopping to edit just breaks the chain and makes it difficult to put down pages.

    The story develops and becomes refined in the second writing. I like to let the story sit and ferment like a bowl of bread dough; it sits and bubbles until I have the time to return to make the loaves. The second writing allows you time to smooth out the wrinkles and improve on the structure. At this stage you notice the awkward phrasing, the empty dialogue, and the story weaknesses.

    In the coming weeks, I plan to began writing a short story about a girl who comes to Las Vegas seeking revenge. Over time, you may notice the story will contain strikeouts and edits. I plan to keep those in there to show you how I am editing and re-writing the story. Of course, I would appreciate your feedback too.

    [plain]Do you write like a whirlwind, or do you carefully consider each word? What are your thoughts on getting words on the page? Post your comments below.[/plain]

     

    Read more: Second Writing: Proofreading and Editing Skills
  • A Tall Tale of Sin: Greyhound Arriving

    I work downtown Las Vegas. For all of the glitz and wild scenes on Fremont Street, what is often overlooked is this town is a business. And that means for every cup tossed on the ground someone has to come along and pick it up. While the entire street is a stage, it still needs to rest, if only for a few hours between parties.

    I’m also fascinated with neon and what it means. Las Vegas discards its neon signs; they can be found at the Neon Museum. Unfortunately, many of these signs no longer light up. I often wonder if each neon sign is waiting for someone to jump start their hearts so their lights can be alive again.

    I’ve been pondering an idea for a while that will take more effort than a 1,000 word short story. Not quite a novel; I think it’s more of a 60-page novella. However, it will take some time to write and I may need to draft it in smaller assignments.

    Clearly this story will have some fantasy, crime, and drama.

    So what will follow is a serialized short story and a way for me to plod along until I finish it. Short of NaNoWriMo, I tend to drop the ball and there are lots of stories I have written waiting for a finish. My two NaNoWriMo efforts still need me to edit them; those stories may never see the light of day! Too many half-baked ideas waiting for an editor. With this project, I anticipate it will be a forced march of sorts to reach the finish line. Hopefully, it doesn’t end up in a trash can.

    Each segment will be like a short chapter with the main title “A Tall Tale of Sin” preceding the current effort.

    I plan to discuss my story idea and share my planning. Frequently, I may update this post to add character sketches or to expand on the idea. By the way, you can find the tools I have created to help me write here.

    Planning

    Read more: A Tall Tale of Sin: Greyhound Arriving
  • Feel Better, Already?

    Letter to the editor of the Las Vegas Sun, December 2005

    What are they really looking for at Hoover Dam?

    Coming home from Texas after Thanksgiving with a small trailer load of furniture I left Kingman wondering if I should drive through Laughlin or cross Hoover Dam. The signs and the radio messages in Kingman made it clear my trailer would be inspected. Since past inspections were cursory I decided we could move across the dam as usual and put an end to our 1,100 mile journey.

    (more…)

    Read more: Feel Better, Already?