Wordsmith Holler

Original Pulp Fiction

Category: My Craft

  • Sheep May Safely Graze: Sheep May Safely Graze (Part 5)

    Sheep May Safely Graze: Sheep May Safely Graze (Part 5)

    Xabier did not sleep. He sat at the workbench with the note and the map and the gun. Xabier tried to remember writing the words. He could not.

    At some point his hand went to the back of his neck. It did that when he was tired. There was a little ridge of scar at the base of his skull, smooth and round, about the size of a coin. Xabier had always had it. He had a vague idea; he got it falling off a wall in the village. He could not remember the wall.

    He stood up and looked at the flock.

    “Which of you knew?” he asked them. “Eh? Which of you watched me write it?” Maite lay near the gate with her chin on Ander’s back. The black sheep stood off by himself, the way he always did. The black sheep never stared. Xabier had never thought about that either.

    The freighter had holds aft of the barn. The company man at Barcelona had told him they were sealed. Old cargo, nothing to concern a shepherd. Xabier had never thought about them. Now he took his staff and a length of wire and went to the rear bulkhead.

    The hatch was rusted shut, but rust was nothing. He worked the wire into the lock and the staff into the seam and leaned. He leaned harder. The hatch groaned and gave. Cold air rolled out over his boots and set the sheep stamping in the dark behind him.

    The lights came on as he stepped through. Long white tubes, one after another, down a long low room.

    Berths. Tanks of clear glass, each one long enough for a man, stacked two high along both walls. He walked down the row and counted them. Fifty on the left. Fifty on the right. One hundred.

    Ninety-nine were cracked open. Their lids hung on bent hinges. Dried sleep fluid stained the floor under them in old brown rings. Some of the stains were so old they had flaked away.

    One berth was different. The last one, at the end of the row. Its lid was closed and clean. The fluid inside was fresh and blue. A feed line hung from the head of the berth, and at the end of the line was a small round plug.

    About the size of a coin.

    Xabier touched the back of his neck again.

    Above the berth, a plate read 100.

    He walked back up the row and read the plates. 1. 2. 3. All the way to 99. Some of the old berths had things left in them. A boot. A comb with teeth missing. In berth 41 someone had scratched a little sheep into the glass with a nail, and under it, in a crooked hand, egun ona. In berth 63 there was a jar. The jar was empty, but the inside was stained red.

    He did not touch it.

    “Pomegranate,” he said, and his voice came out small in the cold room, like a boy’s in a church.

    He stood there a long time. The loudspeaker clicked. Somewhere in the barn the Cantata began, the slow opening bars of a movement. Xabier didn’t remember ever having heard it play. A panel beside the berth lit up. Words scrolled across it in plain block letters.

    SOLITON PASTORAL TRUST. SHEPHERD CYCLE LOG.

    He touched the panel. The music changed with every page. He read.

    This was a template. One man, indentured, Basque, twenty years old. The Trust owned his pattern under the terms of his contract. Each cycle, the ship grew and thawed one shepherd who tended the flock. When the pattern aged out, or died, or failed, the next one was thawed. The old one was “released to the plain.” Supplies for one. Barn for one. Rations for one.

    There was a note under crew orientation. Shepherds were told that time took on a different meaning on the plain. Decades passed on Earth while he aged a year. An explanation for any lost memories.

    He thought about his mother making jelly. Long dead, he had presumed. He had presumed so many things.

    At the bottom of the log was the manifest. He read the last line twice.

    SHEPHERD STOCK: 99 AND 1.

    Ninety-nine spent. One active.

    He had counted his flock the first day by that number. He had laughed at the company’s poor way of saying one hundred sheep. It had never been about sheep.

    He was the one. He was copy one hundred.

    “Ehun,” he said, the way a farmer reads a bad price at the market. “One hundred. Not a shepherd. A number on a shelf.”

    He read the rest of it because he could not stop. Cycle lengths. Ration weights. A column for each copy with a date thawed and a date released. Some of them had lasted years. Some of them had lasted weeks. Copy 12 had a note beside his number. Refused belt. Released early. Copy 58 had a note. Attempted to open aft hold. Released. Copy 97 had a date thawed and nothing else. No date released. No note. Only a blank.

    He scrolled to his own line. Unit 100. Active. The date thawed was forty years after the date the freighter landed. Nineteen months of hibernation along the Soliton Fold, he believed. He had never been in the fold. He had been in a tank fifty steps from his own bed waiting to be thawed.

    He thought of the spaceport outside Barcelona. He could see it. The gate. The smell of fuel. The company man with the clipboard. He could see all of it as clearly as he saw his hand. He was sure of it.

    Somebody had been there. Somebody had run as fast as he could to that spaceport. Only it wasn’t him. Trust had taken that running boy and put his thoughts, memories, and all in a hundred heads.

    “Gizon adimentsua,” he said to the empty berths. He did not smile this time.

    Xabier went back through the barn in a daze. The flock was awake. They stood in their filters in the dark, and a line of ewes stood apart from the rest, staring at him, the way they had stared when he worked at the bench. He walked past them. Their heads turned, slow, all together, following him.

    He stopped. He took a step left. The heads turned left. He took a step right. The heads turned right.

    Xabier looked down at his weight belt.

    It was a plain thing. Heavy canvas with lead bars sewn in pockets. But one pocket had always been stiffer than the others. He had thought it was a bad bar. He cut the stitches with the tip of his shears. Inside lay a flat black wafer the size of a playing card, with a single green light that glowed around his fingers.

    He unbuckled the belt and hung it on a hook by the door. He walked to the far end of the barn.

    The ewes did not follow him with their eyes. They looked at the belt. A few of them drifted toward it, slowly, the way sheep drift toward a man with a bucket. He retrieved the belt. Every head swung back to him.

    “Zer zarete?” he asked them. What are you?

    They did not answer. They were sheep. But too mechanical. Too observant.

    He heard a snap. Hung the belt back and rushed to the window.

    The hunters crossed the array wire along the fence. A shiver of silver at the gate. Another at the south wall. Another, two more, on the roof. They did not go after the sheep. The sheep were locked in. Instead, he saw a blue snap, and a harpoon punched through the thin tin by the feed bins. The cable went tight. The bin tipped and slid and scraped across the floor and went out the slit window in a shower of grain.

    He ran for the bins. Another snap. Another bin went. He grabbed the last one and wrapped his arms around it and held on while the cable hummed and the bin bucked under him like a calf. Then the cable went slack. Someone out there had cut it rather than let it drag him through the window.

    He lay on the floor with his one bin of feed and listened to them go. Slowly his breath changed to a gentle sigh. The sheep slept under the belt.

    He did not sleep. He sat up with the hunter’s gun across his knees, and the lamp turned low. Around midnight, by his own count, the loudspeaker clicked, and the middle refrain of the Cantata played, the one he had heard the night he built the array. The line of ewes stood apart and stared at him. He stared back.

    “Who is watching?” he asked them. “Eh? Who is it?”

    The music stopped. The ewes kept staring.

    In the morning there was a sack by the door. It held berries, the red ones like pomegranates that tasted of apples. On top lay a note, folded in four.

    You are the hundredth. We are what is left of the others. Give up the belt, and the Trust will return you to the tank and take you back. Fight, and we will starve you.

    It was signed with one word. Zaharra. The Old One. The “Z” had a fishhook tail.

    He sat in the doorway with the sack in his lap. The red sun hung where it always hung. The white point burned beside it, a little brighter than yesterday.

    Xabier understood then. The hunters had never wanted the sheep. They had wanted him.

    Read more: Sheep May Safely Graze: Sheep May Safely Graze (Part 5)
  • Sheep May Safely Graze: Sheep May Safely Graze (Part 4)

    Sheep May Safely Graze: Sheep May Safely Graze (Part 4)

    The two suns climbed the west sky. One was an old red sun, fat and slow. The other was a small white point, sharp as a needle. It had not been there when Xabier first came to the Slydal Plain. He had stopped wondering about it. A planet this far out could keep whatever stars it liked.

    Below him, the five sheep grazed in the triangle corner of the field. The two rams pulled at the grass. The doe-eyed ewe stayed close to her lamb. The old ewe stood a little apart, chewing slowly, her weight belt sagging on her thin haunches. Xabier lay flat behind the rock with the controller in his lap. The buried wire ran under his elbow like a vein.

    He waited. Nymphs bounced in his hair. The locusts hummed. A sheep bleated far up the field, and the flock answered.

    Nothing moved in the corner.

    “Etorri,” he whispered. “Come on, then.”

    He set his thumb on the knob and turned it a hair. A needle on the dial twitched. He turned it again. The posts in the corner gave off a faint tick, tick, like rain on the freighter’s hull. He swept the dial slowly from one end to the other. Nothing. He swept it back.

    Halfway up the dial, the air in the corner shivered.

    It looked like heat over a road. Then it looked like a man. Four outlines stood among the bait sheep, silver grey, edged in thin light. A fifth stood farther back near the cliff, as if he had come to watch. They wore hoods and long cloaks that hung oddly in the heavy, still air. Filters covered their mouths, just like his own. Each held a long gun with a fat drum under the barrel, and a fine cable wound on the drum.

    They were men. Not monsters. Men.

    Xabier’s mouth went dry. He had pictured bows and arrows. He had pictured something with claws. He had not pictured men who breathed through filters and stood on two legs in his field.

    One of the outlines looked down at his own arm. He had seen himself go silver. He jerked his head around at the others. The array had worked. They knew it.

    The four hunters scattered like quail. But one of them was quicker with his fear than the rest. He swung his gun and fired. A blue flash snapped from the barrel, a spark where the cable left the cloak. The harpoon took the bigger ram in the neck from no more than ten meters off. The ram fell bleating. The drum whined, and the cable went tight, and the ram began to slide across the grass toward the rocks.

    “Ez!” Xabier was on his feet before he thought about it.

    He grabbed his staff and the shears from his belt. He pushed off the rock and flew. One stroke of the staff against the ground, then another, rowing through the dense air in long, low arcs. He came down beside the sliding ram and caught the cable in the blades of his shears. It was thin as fishing line and tough as wire. He squeezed with both hands. The cable parted with a crack and whipped back into the ripple.

    The ram lay still. Blood ran into the wool at his neck. Xabier knew that wound. He had seen it on three sheep already.

    The hunters ran for the cliffs. Their outlines flickered as they crossed the array wire, silver, then nothing, then silver again. The slowest of them was the one at the back, the watcher. He moved like a man with stiff knees. His cable trailed behind him, loose, unreeled, dragging through the bracken.

    Xabier dug in his staff and pushed. He flew. He landed with both boots on the trailing cable, and the old hunter jerked to a stop like a dog at the end of a lead.

    They both went down. In this gravity, going down took a long time. They tumbled together in a slow, ugly arc, cable wrapping their legs, the gun spinning away. The hunter’s elbow caught Xabier in the ribs. Xabier grabbed a fistful of zamarra. It was curly, tough leather, and he clung to the wool. It tore at the hood, and the hunter twisted away.

    They landed in the grass. Xabier toppled over. He held the torn hood in one hand and raised his staff with the other.

    He did not swing.

    He was looking at his own face.

    It was older. Forty years older, maybe more. The sandy brown hair had gone grey and thin. Deep lines ran from the nose to the corners of the mouth. But it was his nose. His chin. His small ears that his mother used to tug. The eyes were his eyes, set in a face the sun had worked over for a long time.

    The old man looked up at him. His filter hissed. Something passed over his face that Xabier could not read. It looked like grief.

    “Txiki,” the old man said.

    Little one.

    Then he twisted like an eel, kicked free of the cable, and was up and gone in three long bounds. His cloak flickered silver over the array wire and vanished into the rocks. He left the gun in the grass.

    Xabier sat in the bracken for a long time. His ribs hurt. His hands shook. The flock watched him from up the field.

    He picked up the gun. It was heavier than it looked. The drum held a long coil of the fine cable, and the harpoon was a short barbed shaft with a ring at the tail. He wrapped his hand around the grip.

    It did not fit. The grip had been worn smooth by years of a hand, and the hand had been on the wrong side. The thumb groove sat on the right. The finger grooves curved for a left hand. Xabier was right handed. He had always been right-handed. His mother had slapped his left hand off the spoon until it was.

    He set the gun down.

    “That’s not my hand,” he told the ram. “That’s a left hand. Mother would have slapped it.”

    He thought of the face he had glimpsed in the ripple that first day, when the black sheep fell. He had told himself it was a trick of the light. It had looked familiar even then. He had not let himself wonder why.

    He sat with the dead ram until the chimes rang. Tin, ting, tin, tang. The flock came down off the hill on its own, the way it always did when the bells played. He walked the four remaining sheep back to the barn. The old ewe walked the slowest. He dragged the ram himself, rowing with his staff, and laid him in the shade by the door.

    Inside, he fitted the sheep with fresh filters. He did not wish them a good day. He went to the tack drawer.

    The note was where it had always been, under the spare straps. He had found it his first day, folded in four. He had always thought the shepherd before him had left it. A kind man, he had decided. A careful man. He unfolded it now.

    Kontuz ehiztariekin. The hunters will come for the five.

    He had read it a hundred times and thought it was nonsense.

    “The five what?” he had asked the sheep that first day. Maite had only chewed.

    He knew now.

    He took the note to the workbench and laid it next to his map of the field. He had drawn the map two days ago. Squares at each post. Thin lines for the wire. Labels in his own careful hand. Hegoaldeko zutoina. Zelaia. Zuhaitz.

    He looked at the note. He looked at the map.

    The “K” had the same lazy loop. The “h” leaned the same way. And there, in ehiztariekin, the “z” had a crooked tail that dropped below the line and hooked back. He had made that “Z” since he was six years old. His teacher had called it a little fishhook. No one else on Earth made a “Z” like that.

    He looked at Zelaia on his map. The same fishhook.

    The warning was in his own handwriting.

    “Nirea da,” he said to the empty barn. “The note’s mine. I wrote it, and I don’t remember writing it.”

    Read more: Sheep May Safely Graze: Sheep May Safely Graze (Part 4)
  • Shattered Echoes in a Shadow Prism

    Shattered Echoes in a Shadow Prism

    [This is a new novella, titled Shattered Echoes in a Shadow Prism, about a marketing executive who finds she has been missing for a month. This will likely be published under a pen name. This is part one setting up the mystery.]

    Part One: Why Does Everyone Think I’m on a Milk Carton?

    Sarah Lane jolted awake, her head throbbing with a pricked and relentless ache—one that hinted at a night of tequila shots and hazy decisions she couldn’t quite remember. Sarah tried, but a haze muddled her thoughts. 

    She stretched and realized she was in her pink nightie, the fabric clinging unceremoniously as she sat up. Sarah reached across the bed and found herself alone. No sweet reason for my pounding headache, she thought.  What kind of party was that?

    She cradled her head, wishing the sunlight wasn’t so harsh. The sounds of the city drifted up from the sidewalk—horns blaring and voices buzzing—with the rush of morning pursuits and commutes to work. Sally’s throbbing head rang like a bell.

    A director of social marketing at The Grey Agency, Sarah was used to promoting tremendous parties her clients hosted. Sarah smiled at the thought this must have been one hell of an event.

    She reached for her phone; the time 6:46 and the date November 10. That’s not right; it’s only October 10! Why on Earth was the calendar off a month? Sarah scrolled through her texts. More and more they read like a missing person’s blog. “Where are you? Are you okay? We have that Helmsted meeting; will you be there?” 

    Why is everyone acting like I’m on a milk carton? Leave it to Ted Helmsted, the actor and game show host, to come up with such an elaborate joke. Sarah chuckled at the thought. 

    The messages became frantic, with the final message curt. “You are close to being fired. Contact me now,” from Mark Willis, the vice president of marketing and her boss. 

    Sarah started to call, then thought better of it. “I should face him,” she reasoned. If this is a prank, then he may be anticipating my surprised face. At least she hoped so.

    The ride to the 32nd Floor was slow with frequent stops and riders jostling in the elbow-to-elbow vault. Soon the crowded elevator emptied and she stood alone as the doors opened. The lobby was decorated for Thanksgiving, with paper turkeys rounding the reception desk and fall leaves attached to the back of the monitors. 

    In the far corner, a vibrant cornucopia overflowed with a dazzling array of rainbow-hued ears of corn, plump squash, and round pie pumpkins, creating a vivid tapestry of autumn’s bounty that demanded attention.

    “Ms. Lane?” the receptionist appeared shocked. “What a surprise.”

    Two of Sarah’s friends rushed over to her, their faces filled with concern. ‘We were so worried!’ Lucy exclaimed breathlessly, as Donna wrapped her in a warm hug. They were too committed to this prank, and Sarah decided to play along with a knowing smile.

      “Is she new? I don’t recognize her.”

      “That’s Lori, silly. She started last month right before you vanished,” Donna offered. “Lori’s been as concerned as we have been.”

    “We thought you were dead,” whispered Lucy.

    “What do you mean… dead?”

    People walked by whispering. Sarah overheard “Where has she been” and “I hope she’s okay” as their worry met her confusion. She peered farther into the office suite and recognized a familiar face twisted in anger. 

    “Ms. Lane,” barked her boss Mark Willis. “We need to talk.”

      Still thinking this was only a prank, Sarah’s eyes followed her boss as he paced in front of the window overlooking the expanse of the city.

      “You’ve been gone a month,” Mark shouted “I ought to fire you!”

    “Right… I’m sure you missed me,” Sarah mocked in a sarcastic tone.

    Mark frowned. “We’ve been worried. We even called the police. No one has seen or talked with you for a month.”

     “What do you mean?” Sarah exclaimed in confusion. Her head throbbed more than before. “I don’t understand… ” The more she thought about it, the more her head rang. Sarah pressed on her forehead.

    “I mean… you’ve missed work for a month.” Willis barked. “Have you been sick? On a bender? Being a flake?” Willis asked in rapid succession without waiting or expecting an answer. He paced back to the window.

    “You must believe Sarah, I think the world of you and I promised your mom to protect you.” His tone softened. “But it’s damn hard to do that when you won’t return my messages, take my calls, or come to work.”

    Mark Willis was more than Sarah’s boss; he was also her uncle.

    “Your absence almost cost us the Helmsted account,” Willis stated. “Ted Helmsted doesn’t understand why his personal social media manager went missing. Good thing I covered.”

    Realizing her boss was sincere, Sarah’s voice trembled tinged with hestitation. “I… I’m confused. I guess I’ve lost time,” she murmured, pressing her fingers to her temple as the ache in her head deepened. Sarah faced Mark, her eyes clouded. “Everything’s… a blur.”

    Read more: Shattered Echoes in a Shadow Prism
  • The Spill of Sangria Blood: As Ornamental As a One-legged Flamingo. 

    [Following the murder in the zoo, Torely Stone faces new questions and an attempt on his life. He comes close to chasing down the murderer, but must settle of finding an important clue. Oh, and, someone threatens to kill him for good in Part 2 of The Spill of Sangria Blood.]

    Murder in the Zoo

    Eli and I moved as fast as he could shuffle to the lion’s enclosure. The zoo was quiet except for the loud crash, the nocturnal sounds of animals moving about and chittering, and the crowded group of crime scene techs, EMS, and police standing around where Tom Dantry’s body was found.

    “What was that crash?” I pulled aside the first crime tech I found.

    “Oh nothing,” she sheepishly replied. “One of the lions roared and Fred knocked over the body.”

    Other techs were scrambling to put Dantry on the gurney so he could go to the morgue.

    Eli was bleeding bad from his shoulder. “You’d better get a bandage over here,” I pushed Eli closer and took his air rifle. “You’d also better send someone over to the chimpanzee house; another zoo keeper down.”

    “So they forced you to retire,” Detective Winters stood behind me balanced like a cobra ready to strike. He brought up a painful memory.

    I sized him up. “Been talking to my past I see. Who told you? Sheriff Shelton or someone else?”

    “My boss says you’re a crook and you shouldn’t be anywhere near this investigation.”

    The last year I was sheriff something went down ensuring I retired. An election year, I should have been a shoo-in for the job. I was well-liked by the people and the politicians. Heck, I could kiss babies and woo old ladies on the campaign trail with equal results. I was the Diablo Valley Sheriff and could do no wrong.

    It turns out popularity only takes you so far and you can do wrong if you’re unlucky. Dirty tricks can end your political career fairly fast. The sheriff oversees the jail, all of the patrol deputies, the detectives, and the various general service employees. It is a big job with a lot of pokers in the fire.

    One of those pokers got too hot and I was too busy kissing babies to notice.

    The commissary fund at the jail came up empty; a total of $15,000 short. This was money the inmates had in escrow. Family and friends had scraped together what they could to make an inmate’s life better. And I couldn’t figure out how the money was gone. Sure, it was likely an accounting error but we never figured it out before the election. 

    And the press had a field day. They called me any name that stuck; crook, embezzler, bad manager. They said it all and soon I was on the outs. Not even old ladies liked me.

    I lost the election and the county allowed me retire. I took the job at the city zoo as a way to stay in police work. Although writing tickets for errant dogs doesn’t exactly count as serious policing. It was a huge leap downward, but I still could carry a gun and keep my dignity intact.

    More than 12 years I had worked with Tom Dantry at the zoo and nothing had gone wrong. In fact, moms now let me kiss their babies and old ladies seemed to like me again. I was the head of zoo security and could do no wrong.

    Winters had two deputies escort me out of the zoo. They watched me leave as I strode across the parking lot. My mind raced about the night’s events; the weight of Dantry’s death, the attack near the chimpanzee house, and the discovery of the note in Dantry’s pocked. I fingered it again. No, I hadn’t said a word to Winters about the note. It was my “get of off jail free card” and I intended to use it later.

     I fumbled for my car keys, eager to jut get home and think about what “Project Atlas” could mean in the safety of my own home. As I reached the car, a white slip of paper tucked under the windshield wiper caught my eye.

    “Probably a note from Carrie,” I muttered, snatching the paper. But my blood ran cold as I read the typed message:

    DROP THE INVESTIGATION NOW. NEXT TIME, I WON’T MISS.

    My jaw clenched. Doubtful this was from my assistant. Or was it? I started to second guess the whole evening. I crumpled the note in my fist, scanning the parking lot for any sign of the threat’s source. The only people in the parking lot were the two deputies waiting to make sure I left the zoo. Whoever typed the note was long gone.

    “Dammit,” I growled, unlocking the car and sliding into the driver’s seat. My heart pounded as I gripped the steering wheel. “I’m getting too close. They’re scared.”

    My thoughts turned to Miguel Serrano, the zoo’s maintenance supervisor. Miguel had seemed agitated when he was with everyone and said he was glad Dantry was dead. But he got the worse end of the attack at the chimpanzee house. In fact, Serrano thought Eli had shot him. That wasn’t the case, but still.

    “Miguel could be in on this,” I mused aloud. “Or… he could be another victim.”

    I peeled out and headed for the driveway to the back of the zoo. I needed to know more about who killed Dantry, who was trying to kill me, and what any of this had to do with “Project Atlas.”

    As I drove up the driveway behind the administration offices, my mind wandered to Jenna Shaw. Where did she fit into this circus of suspects? Little did I know, at that very moment, she was embarking on her own covert mission.

    Jenna’s heart pounded like a caffeinated woodpecker as she slipped into Dantry’s office. The room still reeked of his cologne – a scent that now made her want to vomit or set something on fire. Preferably both.

    “Think, Jenna,” she muttered, rifling through desk drawers. “What would make Stone look guilty as sin?”

    Her trembling hands found a leather-bound planner. Flipping through it, her eyes widened. Scrawled on today’s date: “Meet S. Discuss Atlas termination.”

    A wicked grin spread across her face. With a few strokes of her pen, “S” became “Stone,” and her path to freedom seemed clearer. All she had to do now was ensure this damning evidence found its way to the right hands.

    Jena looked around the office. The smell, the souvenirs, the memories of Dantry and their moments together startled her, making her sick. She thrashed out at Dantry and threw papers and folders around the room; really trashed the office. “You bastard!,” she screamed. “How dare you cut me out.” She cried and looked around the room where everything was tossed. A piece of paper floated to the floor. She sighed, then quietly crept out, clutching her ill-gotten prize.

    Jenna felt a twinge of guilt for framing Torely Stone. But it vanished faster than a lion’s steak dinner. In this concrete jungle, it was eat or be eaten. And Jenna Shaw had no intention of ending up as anyone’s prey.

    I turned off the car and the headlights, then coasted behind Dantry’s office. I jimmied the lock and made my way down the corridor, my footsteps echoing as I approached Dantry’s door. It was ajar, a sliver of darkness inviting me in. I hesitated, my hand hovering over the handle.

    “This feels wrong,” I whispered to myself, “but it’s the only way to get answers.”

    I clicked on my flashlight and made my way to his desk. The place looked like a tornado had hit a paper factory. Drawers hung open, their contents strewn across the floor. The computer lay in pieces, its innards gutted. Even the potted ficus in the corner hadn’t been spared, its soil spilled across the carpet like diarrhea from a nervous elephant.

    “Well, damn,” I muttered, kicking aside a crumpled memo. “Looks like I’m not the only one playing detective.”

    My eyes darted around the chaos, searching for anything that might scream “Project Atlas.” But whoever had ransacked this joint knew what they were after. The realization hit me like a tranq dart to the head – I wasn’t just solving a murder anymore. I was in a race against an unknown adversary.

    Still, it didn’t hurt to look. My investigator’s instincts kicked into high gear. I began rifling through drawers, my eyes scanning for anything out of place.

    “Come on, Dantry,” I thought. “What were you hiding?”

    As I pulled out the bottom drawer of the file cabinet, a folder caught my eye. “Project Atlas,” I read aloud, my heart racing. The folder smelled sweet like flowers and a smudge of lipstick was on the cover. Inside, I found detailed plans for a massive zoo expansion, complete with endangered species acquisitions and hefty financial projections.

    I furrowed my brow. “This doesn’t add up. Why keep this a secret?”

    I continued reading, my eyes widening as I stumbled upon a list of questionable investors and potential legal loopholes. “Jesus, Dantry. What did you get yourself into?”

    A sudden creak outside the office made me freeze. I held my breath, listening intently. After a moment of silence, I relaxed slightly, but a new tension gripped me. Someone else had been here, looking for these same documents. 

    “I’m not alone in this,” I realized, a chill running down my spine. “Whoever killed Dantry might still be here, watching, waiting.”

    I carefully replaced the folder under the bottom drawer, making sure everything appeared untouched. As I moved towards the door, I couldn’t shake the feeling of eyes on my back. 

    “I need to be more careful,” I thought, my hand instinctively moving to my gun. “This just got a lot more dangerous than I bargained for.”

    I went home and tried to sleep; the adrenaline burning low after working all day and running all night. I fell exhausted on the couch.

    My brain woke me at 6:21 a.m. urging me to piss. I swear my bladder needs more attention than a dozen puppies. I pulled myself together and splashed water on my face. A three-hour nap would have to do; I needed to get back to finding out who killed Tom Dantry and who was after me.

    I phoned and asked Winters to meet me at a local coffee shop. He wasn’t real pleased to hear from me this early. He spent the whole night up too.

    “I thought I told you we didn’t need your help,” barked Winters. He sounded irritated and groggy as if I rustled him from a good dream. 

    “Yes, that’s what you said,” sounding too pleasant in agreeing with him. “But, I need to give you some evidence I found. It could lead to the killer.”

    “Why didn’t just give it up last night?” Winters growled.

    “A lot happened,” I sighed pouring on the sarcasm. “And it just didn’t make the top of my list of concerns… Let’s meet and I’ll fill you in.” If I was going to hand over the note, I wanted to get something in return.

    “Fine.”

    I found Winters eating a plate of eggs and slurping from a thick white cup of coffee in the corner booth. He wasn’t happy to see me.

    “The sooner you are out my sight, the better.”

    I slid into booth facing him and reached for his toast. 

    “I don’t know what the new sheriff told you, but you need me on this case.” I flashed him a smile as big as a Cheshire cat; I had a secret and he was going to have to wait.

    “He told me about the missing money. You’re a crook,” scowled Winters.

    I took a bite of the bread.

    “Did he tell you the money mysteriously appeared as soon as he was elected?” I leaned forward. “It was an accounting error like I thought and Sheriff Shelton got to play hero.”

    “Oh, no… he didn’t mention that.” Winters looked away.

    “It was election high jinx. Someone wanted me to loose and Shelton became sheriff.”

    “I’ll work my way back to that,” Winters leaned toward me. “What evidence are you holding?”

    “Not until you agree to keep me on this case.” 

    “You know, I could just arrest you for withholding evidence.”

    “Maybe. But you still wouldn’t know what it all means,” I smiled and patted the note in my pocket. “I have a lot more to tell you.”

    Winters’ face contorted into a grimace, like he’d just swallowed a mouthful of sour milk. I could practically see the gears grinding in his balding head as he weighed the pros and cons of keeping me on this increasingly convoluted case.

    “Fine, Stone. You can stay on. But I swear, if this blows up in our faces.”

    I waved off his half-hearted threat. “Relax, Winters. I’ve got this under control.”

    That was a lie, of course. This case was about as under control as a roided-up gorilla on roller skates. But Winters didn’t need to know that.

    I showed him the note and filled him in on my little office excursion. “Found something interesting under Dantry’s file cabinet. Folder labeled “Project Atlas.” Smelled like expensive perfume and had lipstick on it.”

    Winters raised an eyebrow. “Lipstick? You thinking what I’m thinking?”

    I nodded grimly. “Yeah. Either Dantry had a secret cross-dressing hobby, or we’ve got a female player in this game.”

    I then showed him the second note found on my car. “And I’d say the killer is willing to put me and anyone down to keep their little secret.”

    I rushed back to the zoo ready to dive into interviewing Rachel Holt, the head veterinarian. I chose her because she was a female and clearly wore perfume and lipstick. Of course, I hadn’t eaten since that piece of toast. I decided to fill the tank with a cod sandwich at Spinnakers. It also gave me a chance to check in with my assistant Carrie. She was waiting for me when I sat down for lunch.

    “You look like you wrestled a bear,” she fussed. “Mom says you’re too old for this stress.”

    “Tell my sister to worry about her own mortality,” I grumbled.

    She looked about as frazzled as a dirty duster. “I’m not sure how to help,” she sighed. “We’re way beyond finding a complaint form or a leash citation.” She was right; they don’t anticipate a lot of murders at the zoo. Her sticking around was going to make her as ornamental as a one-legged flamingo. 

    “You know,” I patted her hand. “Why don’t you take a few days off. Keep your mom company.”

    Before I could go on, a manicured hand grabbed my arm. I turned to find Jenna Shaw, the zoo’s PR manager, her perfectly made-up face a mask of desperation.

    “Torely,” she hissed insistently, “we need to talk. Privately.” She acknowledged Carrie before rushing from the table insisting I follow.

    She led me to the hallway separating the restrooms and pulled me aside. Once we were out of earshot, she turned to me, and satisfied my curiosity. Her eyes brimming with unshed tears.

    “Please,” she begged, “you have to quit this hunt and let the police continue the investigation. You don’t understand how you’re in danger.”

    I studied her, noting the slight tremor in her hands, the way her eyes kept darting around. “Why don’t you enlighten me, Ms. Shaw?”

    She took a shaky breath. “Douglas and I… we were involved. If this gets out, my career is over and Tom’s reputation is further ruined. Everything we’ve worked for, gone.”

    I was a bit taken back; Dantry was a devoted bachelor and didn’t seem to have much time for romance. Unless it was a book about paranormal entanglements, Dantry stayed clear of anything notorious. Of course, he was working on “Project Atlas”; could Jena be a partner?

    I felt a twinge of sympathy for her, but it was quickly overshadowed by suspicion. Love affairs had a nasty habit of turning deadly.

    “I’m afraid I can’t walk away,” I said, keeping my voice low. “A man is dead, and I intend to find out why.”

    Jenna’s face crumpled, and for a moment, I thought she might actually break down. But then she straightened, her eyes hardening.

    “You don’t know what you’re getting into,” she warned. “This goes deeper than you can imagine.”

    As I watched her walk away, her heels clicking, I couldn’t shake the feeling that she was right. “Project Atlas” had a lot of nefarious partners attached to it. This case was turning into a regular Pandora’s box, and I had a sinking feeling that what was waiting at the bottom was far worse than anything I’d imagined.

    (Part Three Coming October 31, 2024)

    Read more: The Spill of Sangria Blood: As Ornamental As a One-legged Flamingo. 
  • Three Ways to Use Words to Grab Attention and Make Your Story Stand Out

    Three Ways to Use Words to Grab Attention and Make Your Story Stand Out


    Attention. Getting eyes to the screen. Piquing the interest of the reader.

    We all want to reach readers, influence others, and become known for impactful writing. We write our stories and blog posts with these goals in mind. Writers often write to roll off words for ourselves. But, the things we want people to read come from our heart and our intended to touch the reader.

    So, how do we do this? How do we get readers to embrace our work and see its value? Here are some ideas to make your story stand out.

    Write to Engage

    Engage the reader as soon as possible. Make your main message clear from the beginning. Journalists call this putting the big news first. An inspirational blog post should come to the most important information at the beginning and then work to explain. A fictional story may contain many hidden messages, but the main message should come as close to the start as possible.

    Write simple sentences full of imagery. Write to make the story come alive through description and detail. Paint a full picture. Make sure every word carries weight.

    Vary paragraphs and sentences. Build tension. Allow the reader to ramble through the story with you by changing sentence length. Understand the need for simple sentences. And change the flow, by alternative the rhythm and style of a sentence, to give the reader a chance to slow down and rest. 

    Scare the Reader into Reading

    Headlines and opening sentences should give the reader the feeling of FOMO: Fear Of Missing Out. Make your reader wonder if they were to miss reading your story they might miss out on the fun. The timeless cliche of the protagonist sitting by the phone because it might ring is all about the worry of FOMO.

    Headlines should grab the reader. Use “How To” or power words to generate interest in the story. Tease your reader. Use odd numbers in your headline because readers gravitate to odd numbers. Promise a list of useful tips. Use adjectives in your headline. Describing words make the headline more powerful, enhanced, or superb.

    Listen and Aim to Please the Reader

    Key into what your reader wants by listening. Review your comments. Join communities. What things do your readers want? Did anyone especially like your last post, or did they ignore it? Readers will key into good writing that’s on the topic. 

    And if they avoided a story, it may be because they were not interested or the headline fell flat. If you want to be read, you may need to write stories the reader wants to read.

    If your writing about a specific subject or technical article, make sure you are writing to please the audience. What do they want or need to know?


    I write for myself, finding subjects that appeal to me. However, I always think about what the audience wants. I expect their questions and then answer them. For years, I wrote the teaser line leading into the next news block as a television producer. The teaser had to work and keep the audience. The successful teaser kept the viewers waiting for the story. Make sure your headline grabs the reader.

    Read more: Three Ways to Use Words to Grab Attention and Make Your Story Stand Out
  • A Warm Glance – Prompt:  beggar

    A Warm Glance – Prompt: beggar

    He clapped his gloves together in a clomp, trying to feel his fingers, if not his hands. It had been colder, yet this cold wormed into the spaces between his bones, making it hard to make a fist. He wanted to clinched his hand and scream, no more!

    Everyone dead. First his wife, then a daughter, and finally a son. He watched his wife sputter away until life, hope, and love went out of her eyes. The children lived in other parts, and he wasn’t there when they died. He thought he would be first. Not so lucky.

    He lost his house. Took to standing with a sign, “Homeless. Hungry. Anything Will Help.” The sign also a failure. He felt the pain settle inside. He took to sitting in the park.

    Right now, he only felt cold. He closed his eyes and rested his arms on his knees.

    A small hand tugged on his sleeve. He opened his eyes to see a girl holding a cheese and bologna sandwich. He smelled it. She pushed the sandwich his way. Her eyes were green. A small glove balanced the sandwich. Yellow mustard stained the glove. He unclasped a hand and accepted the gift.

    The child grabbed her father’s leg, peering at the old man, waiting for him to speak.

    “It’s good,” said the beggar. “Thank you.”

    The girl smiled and turned into the pant leg. Her father’s large hand pulled her closer. He played with her bangs.

    The old man looked up at the father. A tear rolled down his cheek. The dad smiled and the old man shook away his own tears.

    As he finished the sandwich, he felt warm. It really wasn’t such a terrible day.

    Read more: A Warm Glance – Prompt: beggar
  • The Getaway Driver – Prompt: awry

    The Getaway Driver – Prompt: awry

    To say things went awry would be kind. On the first job as the driver, traffic held up the car by 10 minutes, a seeming run on the bank blocked the alley, and of course, the gang was miffed. Bad start to his new career. He drove around the block twice until the alley opened up and he parked behind a truck. Then a truck parked behind him blocking the car between the trucks. He inched forward and backward with no use. The car was not getting anywhere fast.

    The gang ran out the back and rushed the car attempting to open the trunk, which was smack against the engine grate and not budging. Everyone dove into the car and waved to go. Except, the car was blocked in by two trucks and not going anywhere.

    They sat in silence. The driver tried a furtive attempt at moving the car. Not going to happen.

    When the cops rushed out of the bank, the gang was sitting in the car waiting patiently.

    The driver was dead.

    Read more: The Getaway Driver – Prompt: awry
  • Prairie Dog Town – Prompt: hill of prairie dogs

    Prairie Dog Town – Prompt: hill of prairie dogs

    Incessant.
    Yip, Yap, Yip, Yip, Yap, Yip.
    Such a loud bark for such a little dog. The town crier finished his speech and dove under flipping up dirt with his tail. He popped back again for another retort. Yip, Yip, Yip. I had been warned. The small hill of prairie dogs spread out over two acres in the middle of town walled off from the children climbing on the stonewall. The dogs didn’t like visitors. Especially, ones who tried to climb over the wall.

    A small child, I will call Fred, reached out his hands to clap at the dogs and clapped. This set off another round of Yip, Yapping. The little dogs didn’t like loud noises unless they were the ones making the loud noise. Fred couldn’t climb over the wall, so his father lifted him up to the edge. Fred leaned into the town trying to touch a dog. It was a valiant attempt because the dogs were wild enough to stay clear of the wall.

    The child, roughly a two-year-old, laughed and cooed at the dogs. They Yip, Yapped back.

    Fred loved it.

    Read more: Prairie Dog Town – Prompt: hill of prairie dogs
  • Leaving Hair on the Cave Roof – Prompt: underground stalagmites

    Leaving Hair on the Cave Roof – Prompt: underground stalagmites

    Squirming through the narrow tube, he smelled the cold walls and a felt a cool breeze on his face. He was on his stomach inching forward and rising in the cave to push himself over a smooth rock. He knocked the roof and left strands of hair and scalp. A trickle of blood flowed past his ear. He winced. The girl broke out in a nervous laugh. This was the third time he banged his head on the confining space.

    “Not much further,” his brother said. If this had been a sanctioned tour he would be wearing a helmet. This was a last minute idea. “Let’s go see the underground stalagmites!” There hadn’t been much discussion. His brother parked the car, and the four of them went spelunking.

    The two children ran ahead to the cave entrance; no more than a hole between lava boulders. They had been here before and knew where to look. He dropped after the kids and his brother went in last. If anything happened at least someone could go for help.

    The lava tube opened up to a large cavern full of glittering geodes covering the floor and huge stalagmites reaching above the crystals to form a union with stalactites hanging from the roof. His brother flooded the cave with his flashlight and crystals sparkled in blues, purples, and white. Luminescence in the crystals made them shine when his brother extinguished the light. An eerie light show flooded the cave.

    He stood at marveled at the cave room and shuddered.

    “Pretty exciting, right?” said his brother.

    “Yes, definitely worth banging my head.”

    Read more: Leaving Hair on the Cave Roof – Prompt: underground stalagmites
  • Outrunning The Beast – Prompt: mouse droppings

    Outrunning The Beast – Prompt: mouse droppings

    Gumdrops would have been better to mark the path. Yet, all she had was a handful of mouse droppings collected from her nest in the corner of the room. The black pellets blended with the gravel giving her a sense of concealment and deception. Or so she thought. The beast knew where she was at all times. It only needed to swoop and lift her in its talons.

    She was aware of its presence. It’s eye never wavered. She felt it’s breath. It’s foul stench wafted to her nose. She rushed to the edge and hid under a leaf. Trembling, she waited for it to plunge and dared not exhale.

    A rabbit darted near her. It paused to sniff the air. In a flash, the beast plummeted and grabbed the animal taking it away. For a moment, she saw fear and surprise in the animal’s face.

    She retraced her steps following the path of droppings, racing down the path, still fearful, until she arrived back at her room. She panted and tried to compose herself. She returned to her nest to sleep.

    The nightly struggle complete – beast and prey – she once again transformed into a beautiful child. Darling and meek with an odd habit of rubbing her nose. She would play by the fireplace until night came. Then once again magic would take over, and she would try again to outrun the owl as a small mouse.

    Read more: Outrunning The Beast – Prompt: mouse droppings