Wordsmith Holler

Original Pulp Fiction

Tag: place

  • Dallas 3 a.m.

    On Oct 1, I woke in Dallas at 3 a.m. before my flight back to Las Vegas. Picking the morning flight over the red eye became a battle of trying to sleep in a too soft bed with a thin pillow. I might have slept better on the overnight. I should have just stayed awake and pretended I was 20 again.

    I hit stop on the phone alarm and saw a long line of alerts. In the dark, the light of the phone let me know, “20 dead in Las Vegas. More than 200 wounded.”

    It was 1 a.m. in Vegas; it had just happened.

    For years, I feared hearing a mass shooting in my city. Too many tourists; too many opportunities. It seemed very real.

    I spent the weekend with Katie in north Texas. A fan of country, she would have been at the concert. Thankfully, she was in bed in Denton.

    Matthew tried to get tickets to the Route 91 Concert on Saturday. He texted to say he had couldn’t get tickets. That left my son Albert. My phone showed he walked into the house at 10:06 p.m.; two minutes before the mass murder.

    I sat in the dark and thought how lucky we were. None of our kids were there. Relief and then horror as an alert put the death toll over 50.

    We landed in Las Vegas after 7 a.m. Curtains flowed out of two windows at the Mandalay Bay. The Strip was closed so we took Maryland Parkway to work. It felt like the wind had taken the heart out of Las Vegas.

    A Justice tried to give blood but the line was 3 hours deep and she had to come back to hear oral arguments. She never was able to give blood.

    Albert woke up confused. He read my text, “Are you okay?” He looked out the window. A bus went by so he figured everything was okay. Then he Googled Las Vegas and saw the news. “Oh, that’s why they texted.”

    He went out and bought six cases of water to take to the first responders. It seemed like all he could do. He talked to a few of them. Everyone was feeling grief. Not too many people wanted to talk about what had happened.

    He kept pausing the news to ask us questions. “Why did he do it?” “I can’t believe he did it.” “Do you think he cared?”

    I didn’t know what to say. I had the same questions.

    I donated some money to the Vegas Shooting Fund. By the end of the week, it totaled more than $10 million.

    Most of the victims were from California. Of my friends, at least 12 knew somebody shot or killed. A large number of people were from my hometown of Bishop. One little town of 4,000 people and so many people were at the concert.

    Las Vegas gets a bad reputation as a place no one calls home. Nearly 50 million people visit every year.

    But on the first day, United Blood Services collected more than 600 pints of blood; they are lucky to collect 100 pints a day. As people stood in line, businesses brought sandwiches, water, pizza, cake, umbrellas, and chairs. Everyone wanted to help. Our community showed through.

    By the end of the week, you could find #VegasStrong on most of social media accounts and billboards around the city.

    The mass murder stung us. But it didn’t stop us from being people who care.

    I’m still numb to the whole event. I would give anything to wake up in Dallas at 3 a.m. to see nothing on my phone.

     

     

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  • Inspiration: Mining Subjects Close to My Heart

    Inspiration: Mining Subjects Close to My Heart

    I grew up trout fishing. But I will never be able to capture the river like Norman Maclean.

    I once toiled as an innkeeper. But my experiences were nothing like described by John Irving.

    inspiration

    Inspiration Comes From Experience

    I am a product of the American West and my inspiration comes from those people. I take inspiration from their stories and those subjects are close to my heart.

    When Tom Booker stopped at a remote four-corners somewhere between Nevada and Utah, I was there. Nicholas Evans reminded me I had been at that crossroads a few times. I understand the loneliness of a desert valley surrounded by a ring of mountains.

    I have this great idea for a novel set in Paris, but I have never been there. I struggle to place my characters at a corner cafe I have never set foot in. The story lies flat because I can’t put any description into the place.

    Irving wrote about the feeling he had as a child. The deeper context comes from the adult. Maclean also wrote about his family, his childhood, and the pains of adulthood. All wrapped up in these stories are bigger images, but the writers mined subjects close to their hearts to arrive at the wider story.

    It is better to stick to subjects you understand and attempt to create deeper meaning. Your experiences fold together to create a grander tapestry. Would it be impossible to write the Paris story? Likely not, if I visited the Arrondissements and smelled, tasted, and wondered.

    Stories come easier when the milieu can be seen by the author. Otherwise, a lot of research must be done. Inspiration comes when the writer can just tell the story. Place is easiest arranged when the writer already sits there.

    [plain]What do you think? Can a writer create a place they have never visited? Or, do you have to experience it first to obtain inspiration? Leave a Comment below.[/plain]

     

     

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