Wordsmith Holler

Original Pulp Fiction

Tag: good main character

  • Finding the Character’s Pain

    Finding the Character’s Pain

    Sunshine and rainbows. We all would like to have a life free of stress and full of sunshine and rainbows. A life of bliss only leads to trouble. There is no excitement, no drama, no life.

    Writers need to run as quick as they can from sunshine and rainbows. At least when developing a story everyone will want to read. Can the main character end up in a land of beauty and peace? Sure. Just don’t plan on writing a sequel.

    rainbow-495287_960_720
    Courtesy Pixabay

    Pain, wounds and disaster are what we need to strive for when writing a good main character. Give a character pain and a past full of strife, trouble, and challenges. Allow them to triumph. And then smack them again.

    Wounds provide the best motivation to overcome an obstacle and move the story forward. Give your characters a reason to fulfill a basic need for love, faith, understanding, and belonging. Make this character pain so intense they must do something to overcome it.

    Pain and suffering also suggests your character has a basic flaw that leads them to more pain. A character weakness that they must hide or tackle in order to move the story forward. Allow the character to show they have the strength to overcome their weakness.

    The whole goal is to make the story move from scene to scene. The best way to do this is by finding the pain.

    [plain]What are your thoughts about character development? Post your comments below.[/plain]
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  • Character Sketch

    Your job, as a writer, is to introduce your characters in a way that:

    1. is interesting
    2. brings them to life for the reader
    3. conjures up an image that is as close as possible to the way you see them in your mind
    4. gives the reader more information than just their physical appearance – i.e. also gives an insight into their personality and what drives them

    Your job is to let every sentence earn its keep – not just telling us what happens, but leading us to other understandings as well. Use this as an opportunity to enhance the emotional depth of the piece. Describe actions that lead to reactions. Avoid the easy descriptions, the cliches, and the stock phrases. Put yourself in the heroine’s mind. Imagine what she’s thinking. Help the reader to experience her emotions and to see what she’s seeing. It’s a lot of extra work – but your writing will leap up a couple of levels.

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