Tagged: thoughts

March 7, 2017 Scribble 0

You can read this if you wish although it consists of thoughts and fragments as I attempt to free write 750 words every day. Some of this may end up in a Story or a Conversation. Anyway, this is how one learn and shapes up The Craft.

The Big Squeeze is coming to Las Vegas. The Spaghetti Bowl, a large mess of on ramps and off ramps between the US 95 and I-15 will soon be reduced to two lanes. It already becomes two lanes on US-95 under the Bowl, so I’m not sure how this is a squeeze, but through media hyperbole and advertising, I’m to understand this will be terrible.

This morning, I decided to find an alternative route. On the advice of some friends, I decided to try North Fifth, a new road into North Las Vegas.

After fifteen minutes waiting for a light to change and let three cars through at a time, I’ve decided I can suffer through the impending peril of the Big Squeeze. Even if I sit for 5 extra minutes, it will surely beat a 55 minute commute to go 20 miles via surface streets. This is ranting I know, but you have to start 750-words somehow.

We spring back this weekend. Frankly, this just means getting up earlier. Remember to set your clocks ahead. (Don’t think about it too much: Your head will explode).

Sequoia Strawberries in the flower bed mulch
Lined up like bare root roses
Patted safe in the warm soil
Watered and blessed; a hopeful refrain.

Spring lasts a few days before summer rays
Bear down on the garden beds
Warming the soil to dry dust
A delicate balance to keep them moist.

The morning frost reminds spring follows winter
Breezes as March enters like a lion
Or sneaks in like a lamb.
Either way, the garden struggles to bloom.

A small leaf springs up from the bare root tip
As roots firmly establish themselves
And the plant becomes accustomed to its new home.
It spreads out to take space.

Small droplets in the morning light
On large leaves of green vermillion
Summer sun gobbles up the water
As ladybugs jump through the delicate flowers.

“Are you drinking enough water?”

“I think so.”

“It’s getting hotter and you need to be refreshed.”

“I went to the bathroom three times tonight.”

“You’re diabetic. That’s a sure sign of the disease.”

“I don’t suppose four tall glasses of water had anything to do with it.”

In these writing exercises you are supposed to write whatever comes to your head, in any order, without stopping. This came to my head just now.

S. I. Hayakawa was a U.S Senator from California, and before that he was a semanticist at San Francisco State University. I first read his book Language and Action in high school. The idea Bessie the Cow was an abstraction allowed me to add only those details that made her a cow, rather than endlessly describe all of her features. Abstraction allows writers to write a picture that others fill in. Hayakawa warned to stay at the top of the abstraction tree, otherwise you could lead others into an existential hell.

Trees have a colored leaf. And the leaf is made of smaller parts from veins to individual cells. Staying at the top allows the reader to fill in the abstractions, without the writer having to describe the color of the veins or explain the arrangement of the cells. However, sometimes a writer wants to describe these things. Knowing when to stop is the art of writing. A writer must be careful not to chase themselves around in circles!

Hayakawa also addresses the power of words to hypnotize and manipulate. If a person can be convinced a brown cow is really white through powerful descriptions, then a writer can powerfully draw a crowd in with the force of prose. He cautions readers to avoid taking whatever a person says at face value; question them and their motivations. Abstractive communication allows writers to rely on simile, metaphor, irony and pathos to communicate an idea. Abstraction has power as long as everyone agrees on the definition of the abstraction.

Too deep? Enough philosophy on the mechanisms of writing.

“I just don’t feel motivated or respected.”

“You hate your job?”

“Just the people. Nobody sees my contribution.”

“So you’re looking for a reward?”

“I would like to be respected and given a little credit.”

“For showing up?”

“For making this place work despite the lack of respect.”

“You received a paycheck this week?”

“Yes.”

“I think you they must like you.”

I’m running out of words for this session’s writing activity and likely this will end long before I ever get to the bottom of a deep well. There. We now have 750-words!

March 6, 2017 Scribble 0

You can read this if you wish although it consists of thoughts and fragments as I attempt to free write 750 words every day. Some of this may end up in a Story or a Conversation. Anyway, this is how one learn and shapes up The Craft.

For years I have created puns without knowing it. Someone would say something, I would reply, and then everyone would start laughing. I struggled to figure out why they laughed. Later, sometimes the next day, I would realize the joke and laugh too.

(more…)

March 3, 2017 Scribble 0

You can read this if you wish although it consists of thoughts and fragments as I attempt to free write 750 words every day. Some of this may end up in a Story or a Conversation. Anyway, this is how one learn and shapes up The Craft.

America is divided. The Hatfield vs. the McCoys. #BLM vs #BLM. Of course, it is nowhere near the biggest mix up as The Orange and the Green.  At least not yet. (more…)

March 2, 2017 Scribble 0

You can read this if you wish although it consists of thoughts and fragments as I attempt to free write 750 words every day. Some of this may end up in a Story or a Conversation. Anyway, this is how one learn and shapes up The Craft.

According to my new writing goal, I am supposed to just write down whatever comes to my head and finish up in 750 words. The whole thing sounds a bit of a waste of time, frankly. I don’t have the luxury of writing nothing; there is so much more to write and get done.

Yet, here I am just writing. And counting time.

(more…)

After My Stroke: A Year of Possibilities 1

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Courtesy Pixabay

Author’s Note: After my stroke in July 2015 I had to think about how I would proceed. This project started out as a way for me to focus on writing. The year took a different turn for me. I spent two months relearning how to walk, talk, and type. A had a stroke at the age of 51. It became a rebirth.

After My Stroke: A Year of Possibilities

A year ago I started this experiment with a lot of promise in my mind; it felt like I would finally focus on something and complete it. Then work piled on and I set this aside. I could always come back to it because it was something for me.

The months rolled by and I found myself in Texas helping my son with a fireworks stand. Long, hot days and nights filled with outrunning the local flying insects. I still think about the bites on my leg. A few days after the 4th of July I was back in Nevada and working again. I sort of thought about this writing corner and promptly moved on.

A week later I was staring at myself in the mirror and wondering why one eye was closed and the other was bigger than a rabbit’s eye. I had caked blood on my ear and my head hurt.

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Finding the Character’s Pain 0

Sunshine and rainbows. We all would like to have a life free of stress and full of sunshine and rainbows. A life of bliss only leads to trouble. There is no excitement, no drama, no life.

Writers need to run as quick as they can from sunshine and rainbows. At least when developing a story everyone will want to read. Can the main character end up in a land of beauty and peace? Sure. Just don’t plan on writing a sequel.

rainbow-495287_960_720

Courtesy Pixabay

Pain, wounds and disaster are what we need to strive for when writing a good main character. Give a character pain and a past full of strife, trouble, and challenges. Allow them to triumph. And then smack them again.

Wounds provide the best motivation to overcome an obstacle and move the story forward. Give your characters a reason to fulfill a basic need for love, faith, understanding, and belonging. Make this character pain so intense they must do something to overcome it.

Pain and suffering also suggests your character has a basic flaw that leads them to more pain. A character weakness that they must hide or tackle in order to move the story forward. Allow the character to show they have the strength to overcome their weakness.

The whole goal is to make the story move from scene to scene. The best way to do this is by finding the pain.

[plain]What are your thoughts about character development? Post your comments below.[/plain]

Second Writing: Proofreading and Editing Skills 0

By all means write as fast as you can and put the words on paper. In the movie Finding Forrester, the fictional reclusive author William Forrester tells Jamal Wallace, “No thinking — that comes later. You must write your first draft with your heart. You rewrite with your head. The first key to writing is … to write, not to think!”

No thinking — that comes later. You must write your first draft with your heart. You rewrite with your head. The first key to writing is … to write, not to think!

The second writing comes through the proofreading, editing, and re-writing.

Too many writers get bogged down in re-writing each sentence as they write it. A missed opportunity to allow expression and creativity to flow on the page. Capture the spark of genius first and allow it to build. Stopping to edit just breaks the chain and makes it difficult to put down pages.

The story develops and becomes refined in the second writing. I like to let the story sit and ferment like a bowl of bread dough; it sits and bubbles until I have the time to return to make the loaves. The second writing allows you time to smooth out the wrinkles and improve on the structure. At this stage you notice the awkward phrasing, the empty dialogue, and the story weaknesses.

In the coming weeks, I plan to began writing a short story about a girl who comes to Las Vegas seeking revenge. Over time, you may notice the story will contain strikeouts and edits. I plan to keep those in there to show you how I am editing and re-writing the story. Of course, I would appreciate your feedback too.

[plain]Do you write like a whirlwind, or do you carefully consider each word? What are your thoughts on getting words on the page? Post your comments below.[/plain]

 

Character Introductions: Backstrom 0

Bones is one of my favorite police procedurals, although not as dark as the richly-disturbing Criminal Minds, with humor, well-written characters, and charm.

Last night, Bones writer-producer Hart Hanson brought to life Detective Everett Backstrom, a Fox-TV series titled Backstrom based on a Swedish book series by Leif G.W. Persson.

Backstrom has a bit of a House feel to it, with the lead character, played marvelously by Rainn Wilson (The Office), and full of wonderful writing. For instance, we immediately understand Det. Backstrom has problems, quirks, and a biting humor. (more…)

Pantser Plotter 0

There are two camps of thought: the people who listen to the muse and write by the seat of their pants and the people who write an entire book-length outline prior to starting to write.

I prefer to combine the two, without writing an entire book-length outline. Let me explain my thoughts on this debate.

Pantsers argue they are free to listen to the story and the characters. It is a muse-centric approach, with the characters exploring the milieu and wandering about discovering the story. All fine and well. It is interesting how a story can take on a life and allow a writer to document scenes and fill in the story.

Plotters say there is no way a story can take shape without a road map: it requires a structure to allow the characters to face their inner and external conflicts. The characters are forced to face their fears. Plotters like to know where the story is headed.

Here is my take: Pantsers need to outline and Plotters need to be open to just writing.

In my experience, without an outline I have twice been abandoned by my characters in the second act. They exhibit attention deficit disorder and climb out of the book. The characters say “well, that’s all I got,” and the story sort of fizzles out. I’m rewriting “Fish Tacos: Or How I Went To Mexico to Save My Soul” because the main character started bitching about his past and failed to get off his butt. Sure, I’m the writer, it is my story, but I let the character dictate where he would go and when he would get there. Believe me, if left to his designs, the main character would still be sitting in the desert waiting to move.

So now I plot everything: short stories; novels; non-fiction; and, screenplays. I give the viewpoint characters a purpose and a timeline to meet. I challenge them to face their demons. I gift them happy successes. By the time the story ends, they see their doubts, obstacles, challenges, and growth.

In some ways this is the perfect way to write by the seat of your pants: the story structure lets them wander about, as long as they meet their deadlines. So I guess I’m a Pantser Plotter . It seems to be working.

[plain]How do you plan your projects? Do you outline or just let it flow? Leave a comment below.[/plain]

The Bedwell Curse 0

I am sure she really meant no harm when she said, “You will never be a writer.”

The shock of the statement caused me to burn inside and I ached to prove her wrong. My sophomore English teacher failed to understand my punctuation and short sentences that often lacked complexity or my fascination with Tyburn poems.

“Rat-a-tat-tat,” she would write on my papers.

“Less poetry, more exposition,” she scrawled in big red letters.

[plain]Rhyming
Timing
Quaffing
Imbibing
Rhyming, timing spontaneity
Rebuffed as a quaffing, imbibing wastefulness.
[/plain]

Sentences consisting of subject-verb-object became my bread and butter; my go to sentence when I needed to clearly state a point. Ten years of television journalism proved a simple sentence often was all that was needed.

I felt pride in knowing Mrs. Bedwell was wrong.

Yet, I wasn’t really sure.

Writing 75 words a day for a crime story really doesn’t make for a deep writing career. The first day on the job as a science writer, I was assigned to write a 3,500 word story on a complex chemical reaction. I nearly left the Selectric II behind.

“How do I start?” I asked my new editor Kippie.

“Start by writing,” she had replied.

I still couldn’t begin. This was the first time I considered Mrs. Bedwell might have been right.

“You will never be a writer.”

The blank page turned brighter and I just stared at it until whiteness filed the room. I was pulled out of my brooding by a phone call.

“Just start,” Kippie, said through the speaker.

The typewriter clacked out the first word. Then the next. Soon there was a page of thoughts and sentences. Surprisingly, some of it seemed to flow and tell the story. It was rough.

“That’s what editors are for,” said Kippie, when I confessed it wasn’t very polished.

Who knows if I am the writer Mrs. Bedwell envisioned.

It doesn’t matter.

I am the writer I want to be.

[plain]Where you ever told you couldn’t write? Was that a proper judgement? If not, what did you do about it? Add your thoughts to the comments below.[/plain]